This week Ben investigates one of the Romans’ most lasting innovations - concrete! Ben provides a solid introduction to Roman Concrete and its significance, even today!

A Concrete Jungle

The Romans are known for many things. Murder. Assassinations. War. Salad (Caesar - get it?). You can still see temples and other relics of the Ancient Roman world which have withstood the tests of time. But we must ask ourselves - why are these buildings still standing?

The answer is, arguably, one of the greatest innovations of the Roman Empire - an innovation that the modern world stabilises itself upon, and will continue to use as its foundations. What is this material? It is a material of strength and durability - it can withstand enormous pressure, hold firm against time and erosion, and underpins some of the greatest cities in the world. It is - CONCRETE.

Concrete is a material that is not specific to the Roman Empire. Archaeological studies point to the use of concrete or concrete-like materials spanning decades before the Romans, appearing in India, Asia-Minor and Greece (Goldsworthy and Zhu 2009: 934). The difference, however, is the durability of the Roman concrete, and its physical properties (Delatte 2001: 109). Concrete under the Roman hands would be moulded into something new.

Roman builders followed a standardised process when producing concrete (Delatte 2001: 112), a process which is largely detailed by the 1st Century BC Roman Architect, Marcus Vitruvius Pollio. Various studies, such as those conducted by Gotti et al. (2008), have attempted to follow the procedure set down by Vitruvius. What was found was that Vitruvius (Vitr. 2.5.1; 5.12.2) developed an “academic ideal” for concreting - a recipe which, when perfected, would create long-standing concrete structures.

Of course, this process was not perfect from the beginning. It developed and improved over the course of the Roman Empire - the biggest divide being between the Republican and Imperial stages of the Empire itself. This divide is evident in the structures hailing from each period - namely in their construction, innovation, symbolism, and general structure. Yet their differences are weak, compared to their similarities - concrete has always had many CONCRETE uses.

The Foundations of Concrete

The history of concrete in Rome is traced through its use in the various epochs of Roman history. A basic recipe is developed quite early on - slaked limestone is mixed with sand and water to develop a “high-quality plaster” (Goldsworthy and Zhu 2009: 934). To add strength, Romans would utilise various aggregates designed to provide extra stability within the mortar. During the Republic, these aggregates would be seemingly random - often tuff fragments, rubble from buildings and glass. These aggregates would reflect the “near-site geographical setting” and were generally haphazard (Marra et al. 2015: 191).

Early Roman concrete structures reflect this method - the Porticus Aemilia (fig. 1), used as a warehouse and built in 193 BC, is the earliest known example of Roman concrete use (Marra et al. 2015: 183-185). These warehouses showcase an earlier version of Roman concrete - the mortar is mixed with “scrap material” as a base, with “volcaniclastic material” providing an adhesive (Marra et al. 2015: 190). At this time, the system of building using concrete is basic - the Romans want to build things, and don’t appear to care for how. This has largely to do with restrictive timeframes; due to the one year term of official positions.

In 111 BC, the Romans struck gold - or concrete (Marra et al. 2015: 194). Mortar was mixed with Pozzolana - volcanic ash deposits (fig. 2) first found at the town of Pozzuoli, north of Naples (Delatte 2001: 109). This ash, when combined with lime, sand, and water, gains a cementitious value (Goldsworthy and Zhu 2009: 935). This is because the ash undergoes a chemical reaction when mixed with the water, causing it to harden (Jackson et al. 2013: 1669). This addition would allow Republican leaders to develop larger feats of concrete-based infrastructure, as well as gaining the ability to be used in marine construction (Vitr. 2.6.1). This was an important development in the use of concrete, resulting in its active use hereafter.

Consider, for example, the Capitoline Hill. The Capitoline Hill itself is twin-peaked - a north and south summit, connected by an underlying substructure, the Tabularium (Davies 2017: 89) (fig. 3). A large concrete slab, complete with arches and vertical walls, bridged the gap between the summits to expand the ground for Roman infrastructure (Davies 2017: 89). This is an amazing feat, considering it was built around 78 BC! The Tabularium still sits on this saddle and supports the Piazza del Campidoglio in modern Rome. Concrete thus not only ensured the longevity of the Roman world, but expanded it.

‘A Concrete Revolution’

Under Augustus (27 BC - AD 14), we see a Golden Age of concrete. Political stability and a standardised process meant that Augustus and subsequent Emperors could build bigger and more permanent structures without worrying about shorter timeframes. During the Imperial Ages, older structures are restored using concrete bases, the process becomes streamlined (Delatte 2001: 112), and newer structures are designed with greater effects. Concrete wasn’t just a foundational base anymore - it was used in walls, domes, sea walls, and other areas. It became a symbol of progression and stability - a testament to time.

A case in point would be the Pantheon - a structure where concrete was more than just a base (fig. 4). The Pantheon was first built during the reign of Augustus by his friend Agrippa and was restored twice after that; the first time around AD 80 by Domitian, and then again by Hadrian in AD 126 (Coarelli et al. 2014: 286). The central focus of the building - the 43.4 metre concrete dome (Delatte 2001: 109) - is largely attributed to Hadrian’s restoration. The dome itself is a fantastic example of the versatility of Roman concrete - not only is it structurally sound, but the patterns and designs built into it reflect a durability otherwise unseen.

Set in Stone (or Concrete)

Concrete gave the Empire more than just stronger structures, however. Concrete represents a multitude of things - stability, strength, durability, longevity - all of which reflect a strong government or presence in society (Dumser 2013: 137). This advertisement of power and authority had its origins in the Republic. Buildings were commissioned by private individuals to selfishly strengthen their image through public dedications (Dumser 2013: 136). This sentiment is true for concrete materials during the Republic as, since political stability was fleeting, patrons had to leave a lasting image of their presence to keep favour.

This sentiment is best reflected in the competition of infrastructure between Pompey and Caesar during the Republican years (Davies 2017: 97). During these years “architecture and politics were inextricably intertwined” - to ensure longevity, leaders needed “rapid concrete construction” to solidify their position (Davies 2017: 99). Pompey and Caesar would continuously battle for control in the Roman Republic (49 - 48 BC) - however, their battles were fought not just on the battlefield.

Both men were focused on gaining visibility by manipulating the public space of the City of Rome to match their desires. Since concrete “imposed symbolic and physical authority”, whichever man had more concrete structures, the more concrete their political position (Davies 2017: 84). Pompey’s Theatre (fig. 5), for example, was a large complex built by Pompey in 55 BC to impose his presence on the city landscape with a concrete core. The theatrical complex included a theatre, gardens, a temple, a portico, and a curia. The theatre itself could accommodate for up to 20,000 people (Temelini 1993: 42). Semi-circular in shape, the beautiful structure was a concrete example of Pompey’s presence in the city, and of the symbolic use of the material during this period. For more information on the Theatre of Pompey, see Ewan’s blog.

As mentioned previously, this symbolic value of concrete was not lost on Augustus or later Emperors either. Due to Augustus’ long time in power, and his persistence in ensuring stability, concrete development and use could be standardised through a stricter recipe and concentration of the process. This standardisation of building materials and techniques, and planning procedures, made building projects more systematic (Delatte 2001: 112). They began to use scaffolds to provide a stronger structural outline (Delatte 2001: 113), which allowed them to design new structures to boost their image - e.g. the Pantheon’s Dome. Through Vitruvius, we see that this recipe was so important it was written down for future use to ensure the longevity of the practice.

Concrete was even employed in the building of the Portus at Ostia by Emperor Claudius, started in AD 42, as a way to both provide a safe and nearby harbour for Rome, and to cement his legitimacy and rule (Brandon and Hohlfelder 2014: 55). The Portus proved an excellent place to utilise the enhanced strengthening of concrete by seawater, which is still resistant to seawater today (Jackson et al. 2013: 1669). The Portus was finished by Nero (fig. 6a) in AD 64 and is commemorated in his coinage (fig. 6b). It was later expanded by the addition of a hexagonal harbour by Trajan, finished in AD 112(Brandon and Hohlfelder 2014: 57), which still retains its shape, owing to its concrete construction.

Additionally, using concrete was the signpost of a smart leader. Concrete production and building boosted the economy, it was cheap, the aggregates could come from recycled rubble (as used by Nero after the AD 64 fire), and only required simple workmanship, boosting employment (White 1984: 86). Concrete meant jobs, which meant a stronger economy, a larger labour force, and a smart leader who only wanted the best for their City. Rome never looked better than when its people saw another concrete structure go up.

Shine bright like some concrete…

The student of Ancient History is, no doubt, obsessed with the ‘cool’ topics – war, murder, political strife, etc. Yet, we never consider the nitty-gritty parts of Rome – what housed the Generals when they discussed these wars? When Caesar was assassinated, what material lay beneath his body? And when Rome eventually fell, what rubble coated its streets, and what stayed standing? The Romans use of concrete is nothing but exceptional – not only was it regularly used throughout the Republican and Imperial periods of Rome (until around the 3rd century AD) (Goldsworthy and Zhu 2009: 934), its value was more than structural. A concrete building meant a concrete leader – both would stay long after the people were gone.

Augustus, it is said by Suetonius (Suet. Aug. 28.3), left Rome a city of marble when he died. With all due respect, the truth of this statement is not clear enough. Augustus may have left a city built of marble, but the Roman legacy itself was built with concrete.

Follow these links to CEMENT your Knowledge!

Platner & Ashby’s A Topographical Dictionary of Ancient Rome provides further detail into buildings mentioned here, as well as other buildings made of concrete

Vitruvius’ De Architectura talks about a variety of building-related concepts of the Romans, as well as the theory behind concrete production.

Corporals Corner has produced a video on the actual process of creating “Roman” concrete, using more modern materials. Although he does follow the methods as set out by Vitruvius, it is important to note that Romans may not have even created concrete using the same methods and materials used in the video.

Bibliography

Brandon, C.J., and R.L Hohlfelder. 2014. “Narrative of the Romacons Fieldwork.” In Building for Eternity: The History and Technology of Roman Concrete Engineering in the Sea, edited by J.P Oleson, 55–94. Oxbow Books.

Coarelli, Filippo, James J. Clauss, Daniel P. Harmon, J Anthony Clauss, and Pierre A. Mackay. 2014. Rome and Environs: An Archaeological Guide. 1st ed. University of California Press.

Davies, Penelope J.E. 2017. “A Republican Dilemma: City or State? Or, the Concrete Revolution Revisited.” Papers of the British School at Rome 85. Cambridge University Press: 71–107. https://doi.org/10.1017/S0068246217000046.

Delatte, Norbert J. 2001. “Lessons from Roman Cement and Concrete.” Journal of Professional Issues in Engineering Education and Practice 127 (3): 109–15. https://doi.org/10.1061/(ASCE)1052-3928(2001)127:3(109).

Dumser, Elisha Ann. 2013. “The Urban Topography of Rome.” In The Cambridge Companion to Ancient Rome, edited by Paul Erdkamp, 131–50. Cambridge Companions to the Ancient World. Cambridge University Press. https://doi.org/10.1017/CCO9781139025973.011.

Goldsworthy, Helen, and Min Zhu. 2009. “Mortar Studies Towards the Replication of Roman Concrete.” Archaeometry 51 (6): 932–46. https://doi.org/10.1111/j.1475-4754.2009.00450.x.

Gotti, E., J. P. Oleson, L. Bottalico, C. Brandon, R. Cucitore, and R. L. Hohlfelder. 2008. “A Comparison of the Chemical and Engineering Characteristics of Ancient Roman Hydraulic Concrete with a Modern Reproduction of Vitruvian Hydraulic Concrete.” Archaeometry 50 (4): 576–90. https://doi.org/10.1111/j.1475-4754.2007.00371.x.

Jackson, Marie D., Sejung R. Chae, Sean R. Mulcahy, Cagla Meral, Rae Taylor, Penghui Li, Abdul-Hamid Emwas, et al. 2013. “Unlocking the Secrets of Al-Tobermorite in Roman Seawater Concrete.” American Mineralogist 98 (10): 1669. https://doi.org/10.2138/am.2013.4484.

Marra, F., E. D’Ambrosio, M. Gaeta, and M. Mattei. 2015. “Petrochemical Identification and Insights on Chronological Employment of the Volcanic Aggregates Used in Ancient Roman Mortars.” Archaeometry 58 (2): 177–200. https://doi.org/10.1111/arcm.12154.

Temelini, Mark. 1993. “The Function of Pompey’s Building Complex in the Campus Martius.” ProQuest Dissertations Publishing. http://search.proquest.com/docview/89289599/.

White, K.D. 1984. Greek and Roman Technology. Aspects of Greek and Roman Life. Cornell University Press. https://books.google.com.au/books?id=W1ssAAAAYAAJ.


Benjamin Turnell

Benjamin currently studies a Bachelor of Arts with Bachelor of Laws at Macquarie University, and is interested in Ancient Rome, Mythology, and Philosophy. He has always been interested in history. When he was at primary school he was eraptured by the things we can learn from the people of the past. This interest has kept with him all through school and university.